Vendég: Mándy Ildikó Társulata – Madame Deficit
Koreográfus, előadó: MÁNDY Ildikó (H)
Fénytervező, látványtervező, zenei munkálatok, “külső szem”: PÁLOSI István
Konzultáns, és az előadás címét adta: HORVÁTH Krisztina (TanzTheater Eutin)
Jelmeztervező: PAPP Janó
Jelmezkivitelező: CSIKÓS Anikó
| 2020. 01.16. | Csütörtök | Versenyprogram | MU Színház |
| Vendég |
LEGJOBB SZÓLÓ TÁNC PRODUKCIÓ 2019, KÖZÖNSÉG DÍJ 2019 koreográfus, előadó :Kenji SHINOHE (J,D) |
R | LEGJOBB SZÓLÓ TÁNC PRODUKCIÓ 2019
KÖZÖNSÉG DÍJ 2019
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| Vendég | PERJÉSI Patrik
PERJÉSI PatrikVendég – PERJÉSI Patrik: SeholsemFenyves Márk Díj 2019 előadó: PERJÉSI Patrik (H) koreográfus: VASAS Erika(H)
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Seholsem | Fenyves Márk Díj 2019
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| 1. | ELIZA HOŁUBOWSKA
ELIZA HOŁUBOWSKAELIZA HOŁUBOWSKA: Untunedelőadó: Ewelina TOŁYŻ (PL), Bartosz WILNIEWICZ ( PL) koreográfus: Eliza HOŁUBOWSKA (PL)
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Hangolatlan | |
| 2. | Mahalia HORVATH
Mahalia HORVATHMahalia HORVATH: „Elvesző” cipőkoreográfus, előadó : Mahalia HORVATH (CH, D) Mahalia HORVATH (1993, CH) studied physical theatre at the Folkwang university in Essen. Besides the focus on body movement, acting gives her the possibility to express herself. She always gave importance to implement her creative ideas in an independent way and realizes own projects. Mahalia works in cooperation with directors and choreographers as a actor and dancer on stage an in movies. 2017 and 2018, she has won the „Migros Art and Culture“ price for physical theater.
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„Elvesző” cipő | |
| 3. | Jiro MORIKAWA, Risa SHIMADA
Jiro MORIKAWA, Risa SHIMADARisa SHIMADA: Toukoreográfus, előadó: Jiro MORIKAWA (J), Risa SHIMADA (J) Jiro MORIKAWA (1975, J) http://www.jiromorikawa.com Trained at BEATNIK STUDIO(Tokyo), Broadway Dance Center(New York), Steps on Broadway(New York), Alvin Ailey American Dance Center(New York) for 20 years as a professional dancer. Choreographing for musicals,theatrical projects,teaching many studios in Japan,and of course dance! It’s the most important motivation that to make dancing be more accessible and enjoyable in Japan!
Risa SHIMADA (1988, J) Trained at Houmura Tomoi ballet school(JPN) Hochschule fur Musik und tanz Koln (GER)/Alvin Ailey American Dance School(US). Work with Tomoko SATO at Amoeba dance project of dance art from 2013, create theatre performances, and teach dance classes for wide range of ages. Enthusiastically collaborate another field of artists especially musicians. My creative motivation is that dance art helps people who can live more like human beings and plentiful the human hearts to connect the world.
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Tou | |
| 4. | PIRÓK Zsófia
PIRÓK ZsófiaPIRÓK Zsófia: Mondd meg, ki vagyok!koreográfus, előadó: PIRÓK Zsófia (H) PIRÓK Zsófia (1990, H) több táncstílussal ismerkedett meg tanulmányai során, majd a sevillai Conservatorio Profesional de Danza intézményében első magyarként szerzett flamenco táncművész diplomát. Első darabját Spanyolországban, majd a Nemzeti Tánc- színházban mutatta be, melyet további 7 premier követett. Sóhajok című alkotása meghívást kapott Madridba, Lengyelországba, Németországba és Ausztriába is. Alkotásaiban számára legösztönzőbb, mikor különböző művészeti irányzatok kerülnek párbeszédbe.
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Mondd meg, ki vagyok! | |
| 5. | Fabiola GUILLEN
Fabiola GUILLENFabiola GUILLEN: Nagyon sikeres volt (v.2)koreográfus, előadó: Fabiola GUILLEN (MEX) Fabiola GUILLEN (MEX, 1989) holds a Bachelor of Medicine and Surgery from Universidad de las Americas Puebla, where she also earned the Bachelor of Dance with Honors. In 2017 she was awarded one of the ‘Emerging Leaders in the Americas’ scholarships by the Canadian Government to participate in an academic exchange in the Contemporary Dance Department at Concordia University, Montreal. After concluding her studies in 2018, she was invited to perform and collaborate with French choreographer Xavier Le Roy in the exhibition ‘Retrospective’ at Fundacion Jumex Arte Contemporaneo in Mexico City. The same year, she participated in Bates Dance Festival as a Dance Education intern. As an emerging choreographer, she has presented her work in Mexico, USA, Canada, India, and Hungary, and as an educator her journey includes countries such as Croatia, Turkey, and India. Her work explores autobiographical material as a primary source for creation and the integration of striking, plastic images in her choreographic composition, while finding different approaches to space and time, as well as virtuosity in simplicity.
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Nagyon sikeres volt (v.2) | |
| 6. | Emiko TAMURA
Emiko TAMURAEmiko TAMURA: A tigris és énkoreográfus, előadó: Emiko TAMURA (J)
Emiko TAMURA (1994, J) studied at Folkwang Universität der Künste since 2014 and graduated last year and working as freelance dancer and worked with: Yuki Mori, Daniel Goldin, Rodolpfo Leoni, Thusnelda Mercy, Kenji Shinihe. The Solo „The Tiger and Me“ is the piece I created for the last performance at Folkwang. The time my grand father passed away. It made for him. And I would be happy to perform different places with this piece.
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A tigris és én | |
| 7. | Makino HAYASHI
Makino HAYASHIMakino HAYASHI: Fekete Földelőadó: Makino HAYASHI (J), Chauncey PARSONS (USA) koreográfus: Makino HAYASHI (J) HAYASHI Makino (1983, J) trained at Kumamoto Ballet Studio in Kumamoto Japan. She joined Colorado Ballet in 2002 and has been dancing at Oregon Ballet Theatre since 2010. She started choreographing in 2013, and has created works both in the US and Japan. Some of her featured roles are Nacho Duato’s Rassemblement, Jardi Tancat, Jiri Kylian’s Falling Angels, Darrell Grand Moultrie’s Instinctual Confidence, William Forsythe’s In the Middle Somewhat Elevated and August Bournonville’s Napoli.
Chauncey PARSONS (1981, USA)was born in Santa Barbara CA, USA. He trained at The Kirov Academy of Ballet under Vladimir Djouloukhadze. He danced as a principal dancer at The Colorado Ballet, The Washington Ballet and Oregon Ballet Theatre. He joined Ballet Ireland as a principal dancer this Autumn. Some of his featured roles have been Albrect in Giselle by Jean Coralli, James in La Sylphide by August Bornonville, La Spectre de la Rose by Michel Fokine, Jonathan Harker in Dracula by Michael Pink.
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Fekete Föld | |
| 8. | ERDÉLYI Kata
ERDÉLYI KataERDÉLYI Kata: Válasz nélkülelőadó: ERDÉLYI Kata (H) koreográfus: VASAS Erika (H) ERDÉLYI Kata (1987, H) az A12 Társulat táncművésze és próbavezetője, valamint az A12 Táncstúdió moderntánc tanára. Tanulmányait a Budapest Táncszínház Elit képzésén, a Táncpedagógusok Országos Szövetsége modern-kortárstánc csoportvezetői tanfolyamán és különböző tánckurzusokon folytatta. A fesztiválon első alkalommal mutat be szóló koreográfiát.
VASAS Erika (1993, H) 5 évesen kezdett el táncolni. Elsőként modern és show táncot tanult, mellyel többszörös magyar bajnoki címet szerzett, illetve világbajnoki dobogón is állhatott. 10 éves amikor a Magyar Táncművészeti Főiskola klasszikus balett tagozatán elkezdi tanulmányait, amit négy év után a Pécsi Művészeti Gimnázium és Szakközépiskola táncművész szakán folytatott. Számos díjat nyert, és kiváló mesterektől tanulhatott. 17 éves korában került be a vilàghîrű Frenák Pál Társulatba, ahol jelenleg is vezető táncművészként, és koreográfus-asszisztensként is dolgozik. Ezen kívűl 4 éve a Recirquel Újcirkusz Társulat vendégművésze, ahol artistaként is láthatjuk a színpadon.
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Válasz nélkül | |
| 9. | Joanna WOŹNA, Magdalena KOWALA
Joanna WOŹNA, Magdalena KOWALAJoanna WOŹNA: 102 és félkoreográfus, előadó: Joanna WOŹNA (PL), Magdalena KOWALA (PL)
Joanna WOŹNA (1997, PL) Computer science student. She has started her dance adventure in Pryzmat Dance Company in 2014, under the watchful eye of Katarzyna Grabińska. She took part in many internationals workshops and performances such as performance “The Selfie” at the Altofest festival in Naples. In 2017 she is one of the founders Hertz Haus Company that created performances such as “Portrety Beznadziejne”, “Her(t)z” and “Solo na 4 kaski i stracony czas” choreographed by Anna Piotrowska.
KOWALA Magdalena (1986, PL) studied at the University of Adam Mickiewicz in Poznan (Spanish philology), and danced as a company member of Pracownia Tanca Teatru Znak which now is called Hertz Haus. She created two works “Her(t)z” (60 min.) and “102 and a half” (9 min.). Now she took part in a new work of Anna Piotrowska called “Solo na cztery kaski i stracony czas” (60 min.). Gaga movement lover, she participted in many workshops around the world.
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102 és fél |
| 2020.01.17 | Péntek | Versenyprogram | MU Színház |
| Vendég |
LEGJOBB DUÓ TÁNC PRODUKCIÓ 2019 előadó, koreográfus: Antonia BISCHOF (CH), Djamila POLO (LU) |
Égitestek | LEGJOBB DUÓ TÁNC PRODUKCIÓ 2019
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| 1. | Małgorzata KOWALCZYK
Małgorzata KOWALCZYKMałgorzata KOWALCZYK: No soloelőadó: Kacper SZKLARSKI (PL) koreográfus: Małgorzata KOWALCZYK (PL) Kacper SZKLARSKI (1996, PL), since 2016 he is a student at the Academy of Theater Arts at the Dance Theater Department in Bytom, where he began to develop towards dance. During this time, he had the opportunity to participate in many workshops in the field of performative arts, enriching his artistic consciousness. In August 2018. he was a participant of the fourth China-CEEC Summer Dance Camp, where he completed his workshop for 3 weeks in lessons from Chinese Classical Dance, Modern Dance, or Croatian and Hungarian folk dance. In 2019 he participated in China- CEEC Summer Dance Camp held in Inner Mongolia in China.
Małgorzata KOWALCZYK (PL), in 2009-2014 she studied at the Music Schools. M. J. Żebrowski in Częstochowa, currently, from 2015. is a student at the Academy of Theater Arts at the Department of Dance Theater in Bytom. In 2012-2015 she was an soloist at the Częstochowa Dance Theater and a dancer at the Bezpański Theater as well as participated in Contemporary Dance Conferences and the Dance Art Festival organized by the Silesian Dance Theater and many contemporary dance workshops.
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No solo | |
| 2. | Or MARIN
Or MARINOr MARIN: like a sex machineelőadó: Eli COHEN (IL), Uri DICKER (IL) koreográfus: Or MARIN (IL) Eli COHEN (1990, ES/IL) was born in 1990 Spain and grew up in Israel. As a young dancer she studied in the ‘Bustan’ school of arts in Natanya, combining her dance, theater and circus studies. At the age of 18 she joined the ‘Sadna’ in Kibbutz Ga’aton, and after her graduation she joined the Kibbutz Contemporary Dance Company in 2011(aritistic direction Rami Beer). Since 2013 Eli has been living in Berlin, working as a freelance dancer with various choreographers such as: Marina Mascarell, Roberto Zappala, Or Marin, Ofir Yudilevitch, Ira Domina, Daniel Kaufman, Laura Arend, Viliam Docolimansky and more. Since 2015 Eli is also a certified Yoga teacher.
Uri DICKER (1988, IL) was born in 1988 Israel, He grew up in the North of Israel. He was a graduate of theatre in High school. He then went on to serve three years in the military after that he went to Madrid were he studied contemporary circus arts in carampa. He specialized in partner acrobatics, contact improvisation and theatre for two years. He then went on to do three years in re-search a contemporary dance school in Israel. He created his own works as well as working with many choreographers in various styles and settings. 2015-2018 Uri has worked with choreographers such as Ayala Frankel, Omer Uziel, Iris Nies, Or Marin, Yossi Berg, Odded Graf, Michal Mualem and more. Many of these works were performed in theatres and festivals around Israel. The last work a duet Uri danced with Eli Cohen which was choreographed by Or Marin. They performed in tmu-na theatre Tel-Aviv.
Or MARIN (1981, IL) was born in Israel in 1981, studied at “Habbostan” School of Art in Netanya and graduated from the “Thelma Yellin” High School for the Arts (1999). Marin graduated from the “Place, LCD” Academy of Music in London, the School of Physical Theatre in accordance with the Lekuk Method, “The Body theatre”, “Rakefet Levy’s School for the Performing Arts”, and the “SIC – Sound Image Culture Program” Digital documentary in the performing arts. In 2005, together with Oran Nahum, her partner in life and creation, she founded the “Or and Oran Dance Theater Company”, since creating works with a unique language which performed on various stages and festivals in Israel and abroad, In 2015, Established the RE-SEARCH Dance Training and Research Center in the Netanya Industrial area, with the aim of promoting the art of dance in Israel and establishing a first school of its kind in Israel for training creative dancers.
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like a sex machine | |
| 3. | FARSANG Karina
FARSANG KarinaFARSANG Karina: Save me! (Ments meg!)előadó, koreográfus: FARSANG Karina (H) FARSANG Karina (2001, H) vagyok a Győri Táncművészeti Iskola modern szakos tanulója. Versenyeim: 2015 ECU európabajnokság 2017 Országos Modern Tánc versenyen 2.helyezés, 2019 2.helyezés és a legjobb saját koreográfia különdíj. Mesternőm Pintér Tímea. Számomra fontos, hogy másoknak is meg tudjam mutatni a táncban rejlő önkifejezés hatalmát, a későbbiekben pedig koreográfusként saját világlátásomat átadni az embereknek. Nekem a tánc a felszabadultság érzése, az öröm forrása.
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Ments meg! | |
| 4. | Natalia JAROMIN, Iga SZCZEPAŃSKA
Natalia JAROMIN, Iga SZCZEPAŃSKANatalia JAROMIN, Iga SZCZEPAŃSKA: Technológiaelőadó, koreográfus: Natalia JAROMIN (PL), Iga SZCZEPAŃSKA (PL) JAROMIN Natalia (2001, PL) is a dancer in Dance Theatre STEP in Wroclaw, which is leaded by Malgorzata Gietler. The Contemporary Dance Team FORMA, of which Natalia is a member, is often being awarded at festivals like The National Contemporary Dance Festival in Mielec 2019. She is independently creating duo performances with Iga Szczepanska, as a result of strong understanding between them during their cooperative process. Natalia takes part in workshops and projects with professional dancers – Jacek Owczarek, Jaroslaw Mysona, Sylwia Hefczynska-Lewandowska, Alexey Torgunakov.
SZCZEPANSKA Iga (2002, PL) dances in Dance Theatre STEP in Wroclaw which is led by Malgorzata Gietler. FORMA is a dance group to which she belongs. She performances and attends workshops together with the group. The newest spectacle is named The Instruction. Iga dances with Natalia since they met 5 years ago as they share the passion of dancing contemporary dance.
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Technológia | |
| 5. | SZALAY Attila
SZALAY AttilaSZALAY Attila: Kék halálelőadó, koreográfus: SZALAY Attila (H) SZALAY Attila (2001, H) 2001-ben született Siófokon. 2016-ben kezdte meg táncművészeti tanulmányait a Pécsi Művészeti Gimnázium és Szakgimnáziumban. Évfolyamvezető balettmestere: Lovas Pál. 2019-ben a VIII. Országos Klasszikus Balett és Modern Tánc Versenyen I. helyezést ért el szólóban és duettben saját koreográfiájával. Az Országos Táncfesztiválon elnyerte a zsűri különdíját, valamint szólóban I. és duettben III. helyezést ért el. Eddigi tanulmányai alatt számtalan kiváló szakember segítette, így például:, Uhrik Dóra, Földi Béla, Duda Éva, Vári Bertalan, Várnagy Kristóf, Maday Tímea Kinga, Hámor József, Jónás Zsuzsa, Nagy Írisz, Czár Gergely, Vasas Erika, Fodor Zoltán, Maurer Milán, Eszterházy Fanni, Jantner Emese.
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Kék halál | |
| 6. | VASS Imre
VASS ImreVASS Imre: Load”” (Betöltés””)előadó, koreográfus: VASS Imre (H) VASS Imre (1982, H) a Budapest Tánciskola elvégzése után (2007) közreműködött az Ultima Vez (BE), HODWORKS, Tünet Együttes, Artus, Andaxinház előadásaiban, 2010ben danceWEB ösztöndíjas és kutatja az ismeretlent (Műhely Alapítvány), L1 rezidens (2012) 2010 óta készít önálló koreográfiákat, “taking place” című táncelőadását Lábán Rudolf díjra nominálták. Állandó alkotótársa Somló Dávid, tagja a DEEPER F kollektívának és az iCoDaCo-nak. A Load”” című szóló egy koreográfiai kutatómunka első állomása.
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Betöltés”” | |
| 7. | Magdalena OETTL, Stella KOLODZEY
Magdalena OETTL, Stella KOLODZEYMagdalena OETTL, Stella KOLODZEY: Mindjárt visszajövökelőadó, koreográfus: Stella Felicitas KOLODZEY (D), Magdalena OETTL (D) KOLODZEY Stella (1993,D) studied at Folkwang University of Arts in Essen (Germany). 2017-2018 she worked as a company member of „Tanzmoto“ and performed in Choreographies by Royston Maldoom). 2018-2019 she was a dancer within the light opera production „Ball im savoy“ in Switzerland. Since 2019 she is permanently employed at the Opera Nürnberg (Germany). Besides her work with free companies and theatre productions she is creating her own way of moving. With the interest of combining dancestyles such as Hip-Hop, Urbanstyle and Contemporary she has been part of creative processes following this direction. Stella is a dancer, who is open minded and adaptable to any kind of movement,dancestyle, physical challenge and situation in a creative process that may occur. Her strengths in dance are musicality, physicality, groove and precision.
Magdalena OETTL (1994, D) studied at Folkwang University of the Arts in Essen and at Performact in Torres Vedras. She is working as a freelance dancer in Germany and Belgium. Her own choreographic work, which she had developed since 2014, has been presented in Germany and Switzerland. She performed in creations by Mark Siezcarek, Rainer Behr, Mate Meszaros and Ricardo Ambrozio. As a creator she collaborated with free companies mostly within interdisciplinary productions. Since 2018 she is a member of Samadhyana Company. 2019 she joined Ultima Vez for the creation of Traces.
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Mindjárt visszajövök | |
| 8. | Yunkyung HUR
Yunkyung HURYunkyung HUR: Faltering Eyes, Crumpling Atmosphereelőadó, koreográfus : Yunkyung HUR (ROK) Yunkyung HUR (1986, ROK) graduated Department of Media Communication, Yonsei University, School of Social Sciences, and M.F.A at the Department of Choreography, Korea National University of Arts, School of Dance. She is a choreographer, dancer, and performing artist who has been working on diverse performances. Her works show interest in the existence of body as perspective within various contexts, and as a starting point of any diverse possibilities of theatrical language. She performed in most of her own choreographed work such as Implicitly Anywhere(2018) Theatre of Miniature Spaces(2018-2019), Daily-life Translator(2018), Space-ship(2016-2017). Also she actively works and collaborates as a dancer in various works with artists from diverse fields. She was a 2019 exchange choreographer of Movement Research Exchange, NY and Space RED program of Seoul Dance Center.She expects this festival as an opportunity to share and research thoroughly of the unique movement language of herself.
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Botladozó szemek, gyűrött hangulat | |
| 9. | HOLB Ibolya
HOLB IbolyaHOLB Ibolya: Valami a létrőlelőadó: CSÁKI Benedek (H) koreográfus: HOLB Ibolya (H) CSÁKI Benedek (2001,H) A debreceni Salome Tánc-Sport Egyesület és a Piruett Tánc Stúdió tagja volt ,jelenleg a Modern tánc-játék Stúdió táncosa.Szinházi tapasztalata :2005-től az oDEon-ZeneTheatrum Musical Színház tagja ,2017-2019 között a Debreceni Független Színház – Színjátszó Stúdió szereplője , színész, zenész, 2017-től Páholy Ifjúsági Színház – művészeti vezetője rendező, színész. Zenei tanulmányok :2016-2020 Kodály Zoltán Zeneművészeti Szakgimnázium – Debrecen, klasszikus ének szak .Előadóként a kifejezés uj lehetőségeit keresi a mozgás és szinházi tapasztalatai alapján.
HOLB Ibolya(1970,H) Végzettség: Magyar Táncművészeti Főiskola Modern Táncpedagógus szak–Master(2011) Munkahely:ModernTánc – Játék Stúdió alapítója és vezetője, Debrecen (1989-)Művészeti Középiskola és Kollégium modern- kortárs technikák tanára (2006-) Nyíregyháza Táncpedagógusok Országos Szövetsége- Középfokú Modern Tánc Oktató képzés modern –kortárs tánc szaktanár Budapest (2001-)Szakmai díj:Csokonai Vitéz Mihály Alkotói Díj- Állami kitüntetés (2011) Magyar Ezüst Érdemkereszt –Állami kitüntetés (2014)
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Valami a létről | |
| 10. | Claudio SCALIA
Claudio SCALIAClaudio SCALIA: AFRICAelőadó: Claudio SCALIA (I), Irene RADINIERI (I) koreográfus: Claudio SCALIA (I) SCALIA Claudio (1992, I) freelance choreographer. In 2014 he started a new artistical partnership with the choreographer Marco Laudani and his dance company Ocram Dance Movement. Here he gets the opportunity to approach the choreographic language from several choreographers and to dance during numerous national and international festivals. His last work, AFRICA, which was created for Ocram, expresses all his attention towards an actual and refined dance.
RADINIERI Irene (1999, I) began her dance studies at Officine della danza, where she had the opportunity to take part in several workshops with dancers and choreographers such as Tillman O’Donnel and Cyril Baldi. She attended many projects and she met international artists such as Ken Ossola, Roberta Ferrara, Camille Granet, Luke Brown and Antonin Comestaz. In 2018 she took part in Africa, piece created by Claudio Scalia with the dance company Ocram Dance Movement directed by Marco Laudani.
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AFRICA |
Vendég: FEHÉR Ferenc – The Station
koreográfus: FEHÉR Ferenc (H)
előadó: FEHÉR Ferenc (H), MIKÓ Dávid (H)
Szakmai konzultáns: SIMON Judit, Fény: KOVÁCSOVICS Dávid
